Context-free content: new challenges for publishers

Publishers used to control the way content was experienced. Designers read and put content in tailored layouts. Content was produced and laid out for consumption on paper and later on desktop computers.

The experience could be controlled but the content landscape is changing. First, an ever expanding portion of audiences access content through mobile devices. Each device, browser or app fragments the user experience. Second, new services extract content from the publishers’ websites and put presentation firmly in the users’ hands. As a result of both developments, the number of contexts in which a single piece of content is available has grown out of control. No one can keep track or test them all.

Content consumption apps and services

In the last few years, many new services appeared to help users collect, experience, store and share the pieces of content they come across on the web. Paper.li is a good example. It collects links in Twitter and Facebook and displays them alongside an excerpt in a familiar format. Others such as Readability and Instapaper reformat the content, act as repositories and sync it to other devices. All these services trend towards orbital content which “is no longer entrenched in websites, but floats in orbit around users” as Cameron Koczon puts it.

One of the consequences is that content is separate from its original layout. “The separation of design and content is not a bad thing for designers, in fact, it’s an opportunity to create a better content consumption experience than the next guy”, Simon Madine explains in Context-free content and content-agnostic design.

Responsive web design

Context is fragmenting even on single websites. Last year, Ethan Marcotte published an article entitled Responsive Web Design which he later expanded into a book. His ideas ignited the passion of web designers. Using the capabilities of modern browsers, web designers craft a single website which adapts to devices dynamically. You can see an example by visiting the Boston Globe and resizing your browser window. New challenges arise from these changes in design process. A single site’s user experience now changes dramatically from device to device.

Responsive content

Due to both the new service ecosystem and responsive design practices, content needs to fulfil business objectives and user goals in many different situations. To adapt to these changes, we must go back to content fundamentals and pay close attention to the emerging practice of content strategy. Shelly Wilson proposed, in her five minute presentation at the 2011 Content Strategy Forum, to integrate content professionals to the iterative design process of responsive web services. Ongoing conversations among content professionals and other designers address these issues and significant progress is made.

Progressive publishers who have embraced the separation of content and context by implementing content serving APIs (The Guardian, National Public Radio) had to adapt their content creation processes. Martin Belam, Lead User Experience & Information Architect at Guardian News & Media, shared his experience in a talk at the 2011 Content Strategy Forum and on his blog. Content creators must learn to create content that is self-contained and context-agnostic enough. Otherwise, we might run into problems, such as:

  • Spatial relationships between pieces of content are often broken. You can’t say “the figure on the right” because it might very well be somewhere else or not render at all.
  • Embeds, whether based on Flash, inline frames, or native HTML5 audio and video tags, can prove problematic in certain contexts. iOS refuses to render Flash and HTML5 tags are not universally supported. Planning for graceful degradation is more important than ever.
  • Help sections instructing users to use a mouse are rendered meaningless on touch-screen devices. Users may get confused and write for support or worse — leave forever.

Creating content which retains all of its meaning in different contexts is challenging. Fortunately, the whole community discusses these issues and best practices are starting to emerge.

I wrote « Context-free content: new challenges for publishers » on the Paper.li blog, it was originally published on October 14, 2011. Reproduced here with permission.

Presenting Pearls: Stakes of Content Discovery

Users of fast growing services face challenges discovering relevant content. To address these challenges is hard because relevance is an ever evolving concept which depends on the context. When the user has a clear goal or specific question, relevance is straight forward: that’s how we got search engines. But it is less obvious to address the needs of users who want to discover content that they don’t know about yet, or who watch a specific topic over a period of time. Search is about asking questions and getting answers. It doesn’t help you to figure out which questions to ask. Paper.li recently unveiled their Topic Browser to address these issues and let users of the platform extract more value out of our collective curation efforts.

Problems of Visibility

As the number of users to social networks and publishing platforms grow, the signals multiply. On the one hand, owners of the platform celebrate the growth of their service and the success of their company. On the other, this threatens to diminish the value of the platform as users get overwhelmed. The social signals which were supposed to help them make sense of the tidal waves of content become a part of the waves themselves. Moreover, potential users have difficulties understanding what the service is about or where the best stuff is. Each growing platform faces the same issues: Twitter, Tumblr, WordPress.com and Paper.li.

In our world of plenty, each service wants to give users tools to navigate the oceans of content and find the true pearls. If these tools can be developed, problems of visibility will not only be averted but the community will get more value.

Content Discovery Mechanisms

Relying on content discovery mechanisms means that we are outsourcing part of our choices. They present us with manageable amounts of options and we choose from this instead of choosing from the bigger pool. This is how we get a suggested user list on Twitter, Flickr’s interestingness index, WordPress.com’s homepage, or dedicated services such as Squidoo or Paper.li and its Topic Browser.
Tumblr faced a problem with their vast amounts of signals. Tumblr relies on tags and human editors to surface the best content. Tag pages are produced by contributors and editors working together. Users, then, can subscribe to this curated experience.

Squidoo is another service which relies heavily on human editorial skills to create pages about topics with original content and material from around the web: images, videos, RSS feeds. The addition of Amazon and Ebay affiliate modules brings revenue that is shared with editors who can then give it to charity or keep it.

Paper.li is in a position to solve this problem differently. With their Topic Browser, they inverted the process. Instead of having topics curated by few editors, they rely on the massive numbers of Paper.lis edited every day by their algorithms in tight collaboration with their users to surface content. The scale at which the Topic Browser operates is impressive: more than 13 million articles are categorized in one or more of the 20,000 curated topic pages. The filters ensure that the most topically relevant content gets added. Each topic page also features links to the individual Paper.lis which contribute to it, making it a topic watch as well as a discovery tool.

Personality Through Taxonomy

Using the wisdom of crowds to perform editorial tasks may seem risky but it gives us access to new information about our own community. On the one hand, individual personalities of the community’s members and publications may not shine as much anymore. This is a loss, since personalities are to be cherished. Yet, on the other hand, we may discover more about our collective biases and quirks. The culture of services and the communities they gather shine through their taxonomic choices. Tagging and categorization practices give us insights into the choices made when developing algorithms, and about human editioral practices of both administrators and users.

On Tumblr, for example, the Explore function is based on enlisting moderators to curate topic pages. They introduced this function with a limited array of topics in December 2010 and slowly added more to finally merge everything into the Explore function. Today, the page shows a selection of what the service has to offer.

This page does say tons about the Tumblr community: their love of pictures, leisure-related content and cuteness becomes apparent.

Paper.li’s Topic Browser is still in Alpha but the tagging system already shows signs of personality — especially on broad topics. Recreation, for example, seems to be synonymous with exercise for most of our community’s members. Love’s topic page points to an impressive array of posts about interpersonal relationships, wonderful personal blogs, and some NSFW images forming a striking portrait of the topic online.

As we explore the Topic Browser together, we will gain new insights about our community and our world. Dive in. And when you come back out, tell us what pearls you found and what you learned about the Paper.li community in the process.

Image credit: “Pearls” by Dr. John Supan for the U.S. National Oceanic and Atmospheric Administration.

I wrote « Presenting Pearls: Stakes of Content Discovery » on Paper.li’s blog, it was originally published on February 6, 2012. Reproduced here with permission.

Content Rivers and Information Gluttony

As the festive season was drawing to a close, I –like a large portion of the online population– became concerned about ending the cycle of over-eating. The sense of satiety is easy to numb and hard to get back. It is not only true for food but also for content. Non-physical items can lead to gluttony as easily as the very physical foods and beverages of Yule. Similar mechanisms are at work. Only, content doesn’t have a season. The feast is all year round.

Information overload or gluttony

“Information overload”, I hear you say, “we know that already”. Is it really the problem, though? As Clay Shirky argues in his talk “It’s Not Information Overload. It’s Filter Failure”, information overload is our new environment of plenty and not a problem that needs solving. We celebrate the availability of information in many great ways. Yet we experience problems with it sometimes. It lies upon us to create internal and external filters to manage our time and attention because they are our most precious resources.

Excited by the wealth of information available, we lay the traps ourselves by using the tools in an unsustainable manner. I’ve been doing it myself. At some point, I was following three hundred Tumblr accounts and around four hundred RSS feeds. Soon, I started operating under the impression that I should see every item and extract value out of them. These expectations were unreasonable and they were making me crazy. I cut more than half of my RSS feeds. I left Tumblr for a while. Only now that I have returned a wiser man, do I understand more about this information gluttony.

More and More

As humans we’re drawn towards content. There’s a drive to accumulate experience and learn about things because it helps us survive. Putting aside immediate threats, it helps us reach our other goals too. This drive, however, has a tendency to extend. Soon, we start consuming content because it might help us reach a potential goal. Our scope widens out of proportion. That’s also why we hop from entry to entry on Wikipedia and catch ourselves only four hours later. This is why people keep updating their Tumblr dashboard to see more shiny things.

Yet, if we go down this path, neophilia – the love of novelty – becomes the purpose. In the mass of indiscriminate content, true interestingness constitutes a surprise reward. As our brains try to unveil the secret pattern which leads to more such rewards, it sends us on a quest for more and more content. Infinite scrolling or infinite pagination can keep us on a site or service for hours.

Too Little Information To Decide What To Ignore

Dumb aggregation tools collect an endless chronological sequence of content items. The absence of an unread count makes it into a “river of content”. Somehow, this should be enough to change expectations and make it OK. It doesn’t always work and we get stuck on sites like Tumblr or Facebook.
Understanding what features of such content rivers cause you to slip into gluttony is key.

  1. Piles make us want to get to the end…
  2. but rivers of content have no edges or limits. Trying to consume all that passes on our screens is futile. So, we should know what we can safely ignore…
  3. yet, rivers of content are often indiscriminate messes which make it difficult to decide what to read and what to throw out. Posts are often unstructured and stripped from categories: source and date are all we have to decide. Links on Twitter are inscrutable shortened URLs so we don’t even get that precious little indication regarding the source.

Deciding with certainty which pieces you can ignore is important for content consumers as well as curators. Design can help us with that. As publishers and designers we should ask ourselves what relevant information we can provide to help our audience decide what they should or shouldn’t read. Metadata can be richer and more relevant.

Lists and Folders

Until then, we might have to use old tools to organize our incoming streams and restrain ourselves. Lists and categories provide order and visibility. They help us decide what to pay attention to and what we can ignore. To come back to food, you have better chances to avoid picking up candy if you make a list of groceries in advance and stick to it.

Mark Zuckerberg is often quoted as saying: “Nobody wants to make lists”. Most people don’t want to, yet, some order must be imposed if we are to stop treating content like formless stuff. Lists have a long and rich history in helping us make sense of the infinite, as Umberto Eco says. What makes list-making unpopular on the web is the lack of a strong incentive.

Paper.li and Google+ both encourage their users to make lists and categories.

  1. Google+ asks you to put the people you follow into circles.
  2. Paper.li functions best with public Twitter user lists and, hence, provides a strong incentive to use them.

Yet, there’s something to note about categorization in Twitter lists, Google+ circles and folders in RSS readers. They categorize the sources but not the items they publish. Put a Twitter user in a list and then, regardless of what she publishes, the content is going to be in the list. Same with Google+ and most RSS feed readers. You put a feed in a category or folder and then, the items from that feed are all stuck together. There’s a general lack of granularity and an opportunity for more intelligent tools. Paper.li, however, is different. It shows the source and puts the links in categories like Technology, Business or Education automagically. The result is not perfect but –oh so– helpful. I would love to see other tools do the same.

Bearing this limitation in mind and with practice, it is possible to gain a little control back. Take a little time aside, while we’re still in the beginning of the year, to review your lists of sources and the folders/categories they’re in. It is worth doing.

Image credit: Portion depicting Gluttony in Hieronymus Bosch’s “The Seven Deadly Sins and the Four Last Things”.

I wrote « Content Rivers and Information Gluttony » on the Paper.li blog, it was originally published on January 13, 2012. Reproduced here with permission.

The limits of automation and the curator’s role

Frank posted earlier about Popping the Filter Bubble, arguing that there wasn’t a real problem. Although, as he argues, the concerns about the filter bubble are framed as a conflict to sell the idea, it doesn’t mean the filter bubble is not a real and potentially problematic phenomenon. As he shows using the example of his Paper.li, editors and curators have an increasingly important role to play.

Filters require intention

Filtering makes social media platforms more appealing and useful. Algorithms select what you see on Facebook and Google Plus. Even Twitter does. It used to show every update of the people you followed until @replies got filtered out. The change brought by these filters is that those willing to expose themselves to new subjects or dissenting views must work towards “intentional surprise”, as Frank wrote. And those unwilling to do so aren’t forced to confront other views any more. This “noise” filtering adds barriers to discovery and perhaps to dialogue which must be intentionally overcome. It’s a change. Problems may arise when these filters work in secret and can’t be tweaked by the users.

The limits of automation

Fortunately, the services which relied heavily on automation until now are aware of these problems. They are coming to the conclusion that algorithms cannot solve all problems. It takes a human editor to craft great experiences with the right mix of familiarity and novelty, confirmation and healthy dissent. Karyn Campbell’s Return of the Editor: Why Human Filters are the Future of the Web on Sparksheet quotes interesting numbers which suggest that, as we’re figuring out what algorithms are good at and what they’re not so good at, editors and curators are given a bigger role in organisations like Facebook.

The curator’s art

To understand where the editor’s art lies, we might turn to Maria Popova, curator extraordinaire of Brain Pickings. Her article: Accessibility vs. access: How the rhetoric of “rare” is changing in the age of information abundance explains it with clarity. The value “human sensemakers and curiosity sherpas”, as she calls them, bring is tremendous in a world in which everything is accessible but not necessarily accessed.
Of course, you won’t find every post of generalist curated blogs such as Brain Pickings, kottke.org, Bobulate, or Boing Boing interesting. But skimming through them, you find gems that often light fires of life-long interests. As the Paper.li community exemplifies, real magic happens when technology is harnessed by editors to craft great experiences.

Image credit: Kneading, Soyer Isabelle.

I wrote « The limits of automation and the curator’s role » on the Paper.li blog, it was originally published on November 5, 2011. Reproduced here with permission.

Wrap Your Content Around Regular Events

How do you ensure your content flows continuously? Publishing around current events, seasons and holidays are a great place to start. News organizations are masters at this. No example shines brighter than the month of December. Year after year, they run stories about Christmas decorations. More recently, they’ve put a “green” spin to it by focusing on LED technology and energy savings. Later they cover snow storms and how they make trains run late. Then, there are sales in the stores. It’s the same in all Christendom!

You can do the same by using recurring events to generate ideas and create flow within your content streams. All it takes is a list of relevant events, some thinking and planning to create content that is both relevant to your audience and to the event. Unlike TV channels and newspapers whose content must always fill the same containers, online publications are more agile. However, publishing content that’s both good and relevant remains a challenge. Using recurring events, your publication efforts can be organized and you can start to orchestrate relevant story arcs that your audience will care about. Your ideas will flow! Populating your editorial calendar is bound to become a breeze.

What Type Of Event?

Look for near-global events like Christmas or Easter to begin populating your calendar. Don’t forget to turn to more local ones as well. Both can be very handy. For example, in Geneva (Switzerland), we have an official chestnut tree near the parliament hall. The secretary of the parliament, as part of her job, reports the blooming of the first bud. This first leaf marks the official beginning of spring in the state of Geneva and this event is covered by local news every single year.

All the examples above focus on mainstream news. You shouldn’t limit yourself to their events, however. Dig around your organisation and the online communities you’re part of. Be as specific as you can because each online community and organisation has their own pulse. You will be sure to find many events relevant to your niche. In particular, pay attention to:

  • Industry-specific online celebrations such as Social Media Day or Ada Lovelace Day.
  • Anniversaries and birthdays related to your industry’s leading companies and people,
  • Trade shows,
  • Conferences,
  • Awards,
  • Earning reports release dates,
  • and Product release dates.

How To Connect Events And Content?

Choosing relevant events is always best. However, they don’t have to be tied to the themes you cover. Get creative! It’s all a matter of finding the right angle to connect events and content.

Lifehacker — the productivity blog from Gawker Media — specializes in tips and how-tos. For a number of years now, the week of Halloween triggers Lifehacker’s Evil Week. It has become an awaited rendez-vous and fans get excited about it. Myself included. They create or repurpose content with an evil twist, so you can protect yourself (that’s their claim!). For example, in 2012, they talked about:

Another example of successful cyclical content from Lifehacker is their yearly post  “The Best Time to Buy Anything in 2012” which works so well that they have a canonical version they pledged to keep updated.

More niche communities also have their special moments. In the web design community, the «24 ways to impress your friends» advent calendar publishes great articles about cutting edge techniques. They’re geeky treats which aren’t always practical to use day to day because of poor browser support or industry standards. The period of the advent works great to make an event out of this content’s publication and gather the audience around it.

Even when the connection between the content and the events is far-fetched, it can still work. Tying together relevant content and getting it to your audience in a timely fashion is the ultimate goal.

Hit Or Miss

No one can guarantee your first efforts will be a success and you will have to resort to trial and error to get the mix right. Define success metrics in order to decide which initiatives to push and which ones to abandon.

Unfortunately, some content-event couples will simply not work or the content will prove too complicated to craft. Lifehacker tried a lot of combinations. In 2010, they held a Spring Cleaning Week, for example. It didn’t happen again in 2011 or in 2012. In fact, at the end of 2010, Nick Denton from Gawker Media moved the company away from yearly programming to a TV style weekly schedule. He said:

themes will be moved to a programming grid which owes more to TV than to magazines. For instance, Lifehacker’s personal finance coverage is popular with both readers and advertisers; like much of our more helpful content it is often lost in the blog flow. From next year, it will be showcased at a regular time, say Fridays at 3pm, a personal finance hour.

Pack your calendar full of relevant events: yearly, quarterly, monthly and weekly. Reflect on how best to cover them and launch experiments. Adapt and repackage your content. If it doesn’t work, don’t be afraid to abandon some events.

Be Reasonable

Very few have the resources to imitate Gawker’s hour-by-hour programming. Small teams or single-authors shouldn’t tire themselves trying to keep up with publishing powerhouses. Anyway, most of us don’t need to publish such high volumes of content.

However, publishing content tuned to the daily memes of your social media platforms of choice can do wonders. If you have a column about wine, think about publishing it on Wednesdays to take advantage of Twitter’s #WineWednesday.

By observing weekly rhythms and attaching corresponding hashtags to your tweets, you can widen your reach. Wine is just an example. Mashable published a list of Twitter’s daily memes such as #MusicMonday and #ThankfulThursday.

Start small! Go back to the basics and commit to #FollowFriday, for example. Tweet about what makes each person you follow worth following and add a #FollowFriday hashtag. One or two additional tweets a week is easy to put out and will represent a useful service to your followers. Such recommendations have reach and they are already content.

Using seasons and memes to plan your content can make your publishing life a lot easier. Start researching upcoming and recurring events in your area and “park” them in your editorial calendar. Oh, and once your content plan is in place, don’t forget to actually write the articles!

I wrote « Wrap Your Content Around Regular Events » on the Paper.li blog, it was originally published on February 25, 2013. Reproduced here with permission.

Inject Gameplay into Your Content

Gamification is a very popular term with web product managers these days. It designates the introduction of game mechanics into seemingly unrelated products and processes. With the success of social video games such as Farmville and services such as Foursquare which give you points and badges to reward engagement, social gaming mechanics have arrived in the consciousness of millions.

Getting Started With Gamification

By tying desirable rewards to actions you want to encourage, you can achieve positive outcomes in web apps but also in project management and — yes — publishing.
The basics are quite simple. To create a game-like experience, you need to:

  • define a desirable outcome
  • find a metric to measure it
  • define win conditions and corresponding rewards
  • define loss conditions and corresponding punishments
  • build a feedback loop around them.

Gamification has been around forever, like frequent flyer miles and consumer loyalty systems in hotels, grocery stores — bookstores, even. With the rise of the social web, the trend is only accelerating and becoming more complex.

New companies are appearing who try to specialize in the production and management of game-like features to add on top of your services like badges and scoreboards. Often, the basics listed above are mistreated and this results in shallow experiences. You can’t treat gamification as an afterthought; you need to incorporate it wisely into product development.

You can find these reflections and more about how they apply to popular location-based services such as Foursquare in Episode 41 of “Let’s Make Mistakes” with game producer Stephanie Morgan.
In this episode, the hosts and their guest comment on the fact that Twitter is a good game. You post something, your post will elicit a reaction or not. The reactions are the reward you’re after. Hence, crafting tweets becomes a game. You’re encouraged to post provocative and inspiring things at the right time so you can get retweets and faves.

In fact, it can work for many aspects of content creation and publishing whether you want to encourage yourself and your contributors to post more, get more comments, or encourage content discovery and engagement.

Add Gameplay to Your Work

David Seah’s Concrete Goal Tracker is a great resource for solo-entrepreneurs and freelancers. It is a printable scoreboard for your week designed to direct your attention towards the tasks with the highest pay-offs. You can use his list of achievements or write your own.

  • Shipping billable client work,
  • contacting prospects,
  • writing new blog posts, etc.

are all worth 10, 5 or 2 points. Each time you complete one of these tasks, you award yourself those points. It becomes most effective when you define win conditions: 300 points per week for four weeks, for example, and promise yourself a nice reward. You can also add loss conditions if you like.

This self-reporting makes it only suitable for yourself, really. But it is a simple example of how gamification works and a tremendous foundation to be building upon.

Add Gameplay to Content Creation and Management

You can also move beyond encouraging posting and try to have an impact on the quality of the content. Choose a metric that you want to improve and then tie a strong reward to the improvements that you seek. Don’t do that lightly. You have to think hard about what it is you want to accomplish and how to encourage behaviours which will bring you closer to your goals. In short, you have to get a strong editorial strategy and process in place before experimenting with these techniques.

Some blog publishers famously tie the revenue of writers to traffic levels or revenue streams such as affiliation programs. Again, there’s no ‘one size fits all’ solution. If you tie your win conditions to the wrong metric, other important metrics might take a plunge. Tying blogger revenues to traffic encourages big volumes of short lived, SEO-laden content. It may be OK for traffic hoarders who rely on ad revenue. It might not be the smartest move for niche blogs trying to establish credibility, create lasting value to drive steady traffic and close sales.

Outside the narrow realm of blogs, you can’t afford to encourage the churning of content because — remember — a piece of content that has been created must be maintained and/or retired. In such cases, you can use gameplay to encourage content audits and maintenance instead of creation. However, you have to make sure all the players who get to make decisions about your content have the right skill set and domain expertise.

Encourage Your Audience to Read and Share Your Content

The paper and pen system doesn’t scale and you can’t use it to encourage reading, social sharing and comments. There are experimental solutions to encourage engagement and sharing of content using gameplay mechanisms.

Gourmet Live, Gourmet magazine’s iPad app uses an innovative reward system. Exploring content, you will sometimes stumble upon a story which, once you read it, will grant you access to exclusive content such as recipes. Then, you can share this reward with your friends on Facebook and Twitter, so that they can access the exclusive content too.

These “achievements” don’t require any skill or real work. Therefore, it isn’t a game but it still uses gameplay. The more you explore their app, the more likely it is you will get rewards — more or less randomly. They give you the ability to share rewards with your friends who use the app, however, without asking anything in return.

People crave recognition for their efforts and love it when you give them gifts they can share with their contacts and friends.
Their ambition was to create a sticky experience by blending gameplay in a beautiful app and show their audience that content itself is a reward worth sharing with your friends. If you’re curious about the design process and underlying technology which power the app, Anil Dash who worked on the project, offers more thorough explanations.

Don’t Go Overboard

The frontier between introducing gameplay in your product design and manipulation is thin. It is possible to focus on positive gameplay aspects but beware, however. Don’t fall into the Zynga Abyss: don’t use social obligations to compell your users to participate in a shallow game-like experience.

The design principles of Zynga’s social games encourage you to beg and annoy your friends on Facebook with spam. They even acknowledge publicly that it is one of the most compelling features of their games. This is a little too much cynicism, I think.

You don’t have to approach it with the same attitude. Build fun into your useful products and content from the get-go without trying to condition your audience. It is possible to focus on the positive like Gourmet Live does.

Solutions to Experiment With

If you want to try building achievements into your WordPress site, you can use the CubePoints or Achievements plugins. While CubePoints is simpler to install and run, it primarily rewards comments. It will require the development of additional components by programmers to reward the authoring of posts and other things.

Achievements seems more flexible but depends on the BuddyPress plugin until the next version comes out. It is, therefore, more difficult to get up and running.

Giving away rewards for desirable actions and improvements to key metrics is a useful tip and a great way to make your products and content better. Yet, everything depends on how you do it. If you have ideas for implementation or find other great examples of gameplay in publishing, please share them with us in the comments.

I wrote “Inject Gameplay into Your Content” on Paper.li’s blog, it was originally published on May 30, 2012. Reproduced here with permission.

On or Off? How to Make Comments Work for You

I was prompted to think about the costs and value of comments after reading a post about the latest changes made to Gawker’s comment management system in which Nick Denton, founder of Gawker Media, laments the poor state of comments sections. Engagement is difficult to get and even more difficult to keep. Whether you get no comments at all or too many, they are always an issue online.

When and How to Invest in Comments

Comments have their place when your blog is about making sense of the world around you — for yourself and your audience. They are for you if you use it to

  • learn and teach
  • gather insights
  • and spot opportunities.

This spirit of quest can encourage great comments and launch deep conversations. If you are willing to participate in comment threads, they offer tremendous help. In “Yes, blog comments are still worth the effort”, Mathew Ingram cites Fred Wilson’s blog A VC as an example of rich comments. Wilson, a well-known venture capitalist and blogger, is ever-present in his comments and nurtures his community because their exchanges are valuable to him.

He shared the main factors behind his blogging success. On the subject of engagement, he wrote:

5) Engage everywhere. That means on Hacker News, other blog communities/comments, Twitter, Facebook, Google+, etc. This takes a lot of time. Too much time. But I get so much value back from doing it that I make the time.

If you’re not in tech, maybe Hacker News is not for you. Anyway, you get the idea. To get more comments, it is very important that you

  • leave comments on the blogs of people you respect. They or their audience may take an interest in your point of view
  • tweet people asking them for their perspective on issues of interest to both of you
  • advertise your post in relevant places.

For more, you can turn to Marcus Sheridan who lists many tips on engagement in comments with illustrations and examples.

Comment Management Tools

Whether you’re a multi-million-dollar publisher, a small business owner or an individual blogger, it’s necessary to filter out spam and moderate to have a healthy comments section. Fortunately, semi-automated solutions are widely available. Akismet, Mollom and Defensio, for example, offer to stop automated comment spam for you. All three have free plans. Akismet is active on WordPress.com blogs by default.

If you have your own WordPress install, you can activate Akismet easily. All you need is to open an account: you will receive a string of characters called an API key that you’ll then enter in the administration area of your WordPress installation.

You can also use services such as Facebook, Google+, Disqus or IntenseDebate which offer to host your comments on their servers for free. Such solutions may seem simpler and less prone to spamming attacks, but they have hidden costs. Comments may load slowly or temporarily go missing if the service goes down. Search engines may not take the comments’ content into consideration, which might impact your SEO.

Moreover, you run the risk of losing your comments if the service shuts down or you change your commenting system. Disqus and IntenseDebate let you export comments if you leave. However, few blogging platforms or commenting systems let you import comments back in seamlessly.

As you can see, solutions exist to make comments work but choosing the right one is a challenge. Whichever you choose, they always demand an investment of time and attention, and sometimes significant amounts of money.

Last year, comments on The Huffington Post crossed the symbolic 100 million line.  According to Arianna Huffington in this Mashable interview, their success comes from a commitment to

  • moderating comments using humans and software
  • personalizing the display by ranking comments from your Facebook or Twitter contacts higher
  • and recognizing good commenters with badges and privileges.

This commitment is real and costly. Their 30 moderators and a robot called Julia cost them a large sum. Lots of dedication and significant investments are necessary to make comments work well.

Another Option: No Comments

When you post reviews or opinions and have no plans to take the feedback into serious consideration, you don’t need comments. When you lack resources or an interest in moderating and participating in your comments section, you might be better off without them.

Solo entrepreneurs and small businesses have limited resources to allocate and that’s OK. You don’t have to accept comments. You can encourage engagement by other means.

If you turn off comments, be sure to write a post explaining your decision. People might accuse you of not being humble enough to accept criticism and dissent. State clearly that you’ll continue to listen to your community. Encourage them to tweet to you, send you e-mails, etc.

Blogging with comments turned off is a sensitive issue and a matter of much debate. Matt Gemmell links to many articles about this question and offers his own take (via Build and Analyze).

There are no absolute reasons for or against comments. It depends on the purpose of both your blog and its comments section. Ask yourself what you’re trying to accomplish with your site and whether comments help or hinder your ability to reach your goals.

There are bad reasons for having comments turned on. They are often used to inflate the number of page views on ad-driven sites. When you submit a comment, you have to re-read it and then submit it. That’s two more page views. And when people read comments, they are often displayed on several pages, which adds even more page views. You don’t have to emulate this behaviour because page views aren’t the most important metric any more.

In the End, it is Your Decision

You should have a clear idea about what your site is supposed to accomplish; you should think about your comments section with the same care for purpose. Then you can decide whether to have one or not, and how much you are willing to invest in it. Don’t hesitate to think aloud in the comments.

I wrote “On or Off? How to Make Comments Work for You” on Paper.li’s blog, it was originally published on May 16, 2012. Reproduced here with permission.

Low cognitive budgets for web projects

A cognitive budget measures the amount of time and attention the stakeholders allocate to various aspects of their business. I am especially interested in the amount willingly given to the website and other web initiatives. Web teams can work around financial constraints. However, when the stakeholder cognitive budget is low and the web team doesn’t have much power, delivering great work becomes exponentially more difficult.

Way too often, the website is a dumping ground for content and there’s, therefore, little need to discuss or even think too much about it. As for homepage real estate, carousels and slideshows make it easy to never have a conversation about that at all. So it follows that the website is a solved problem. It’s off the managers’ plate. The people in the last office before the server room have to upload things they receive by e-mail from all over the organisation and never talk back. No editorial back-and-forth. Congratulations. That’s a non-issue.

Or is it? When things are set up like this, uneasiness creeps in. People responsible for communicating through the website aren’t sure they’re reaching their target. They feel that something is off kilter. Sometimes anxiety reaches levels that warrants an e-mail to the web person with questions about the templates’ age or alerting them to a lack of « sexiness ». Of course, the website has no appeal. It is an ever-expanding closet holding three ring binders that each and every person in the organisation can add to.

When dissatisfaction reaches their ears, people ask for prettier wallpaper and wider doors to the closet, at least in part, because mandating technical fixes or redesigns doesn’t tap into their cognitive budgets. That’s when good teams or good webmasters come back with questions about branding and goals and content workflows which, in such an organisational culture, never get answered because web stuff is supposed to be a non-issue. It’s supposed to be cheap in terms of money and cognition.
It’s OK to cut corners but avoiding thinking about your organisation’s website isn’t a smart move. Websites are infrastructure that is important to your business.

When the culture is to treat the web as a solved problem and neither allocate sufficient cognitive nor monetary resources, there’s very little that can change in terms of introducing digital governance and content strategy even though these tools can bring positive change and make the website run more smoothly.

Have you tried strategies to work around this? Would you care to share stories?

Carousels work great but not for communications

Slideshows or carousels are wonderful. They provide ample space for everything to be on the homepage for weeks. There is no need to hold meetings about the website. All stakeholders think they are getting a fair deal and appropriate amounts of exposure for their content. You may even whisper to yourself that your visitors get a well-rounded idea of your organisation’s activities.

Since the space is unlimited in the carousel, it’s free and harmless. There is no need to argue over what’s more important. Everyone in the organisation can just phone the webmaster and order a new slide. Something comes up, the web gal puts an announcement online as fast as she can copy-paste and markup, adds a new slide. Peace is kept. We’re all happy.

Except. Messages don’t get through. Experts have written about the fact that carousels don’t get people to click and take action (a sequence of events otherwise known as « conversion« ) and also about how carousels are a nightmare both in terms of search engine optimisation and in terms of your site’s ease of use. If effective communications are a real priority, that should be unacceptable.

Carousels are hurting your organisation. You assume it works without having checked. This creates a huge dead angle: it makes all discussions of web governance and due process irrelevant since everyone can request the creation of homepage content. Your web presence could accomplish so much more. You could rock.

Why do we refuse to? We fear tense discussions and accusations of insubordination. We don’t want everybody yelling in a meeting or, worse, agree and hold grudges. We all love peace but we have to weigh that against our need to get our messages across.

Carousels don’t work. You might be OK with that for peace’s sake. But if you’re convinced yours is an exception, at least, measure it and face the facts.

Photo credit: Two carousel pigs, hand-made in the late 19th century (Cirkuskarusellen in Gröna Lund, Stockholm). Photo taken by H. Pellikka. CC-BY-SA.